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You've selected:
In The Beginning Was The Word
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IN THE BEGINNING WAS THE WORD (SSATB) – John 1:1-18
IN THE BEGINNING WAS THE WORD (SSATB) â John 1:1-18
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926671 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 24 pages. M.A. Morizio #3588445. Published by M.A. Morizio (A0.926671). My dear friend, and Pastor Don Colageo and I cut our teeth together with this piece when we decided to dive headlong into this cycle of Seven Anthems to Christ. It was the second song of the (SEVEN ANTHEMS TO CHRIST) cycle that I had composed, but the first using his Greek translation(s). It eventually would become the last piece to grace the cycle of seven in order of my musical presentation sequence. In fact, this known 1st century Hymn to Christ spans 18 verses of the first chapter of the Gospel of John. My setting of the anthem is seven plus minutes long in performance length. The song's length was not on purpose, but the number seven does have Biblical significance (seven days of creation, seven golden lamp stands, etc.) The number seven is also known among Biblical scholars as the number of Holiness and Perfect Creation. Since this rather long, yet theologically complete Hymn to Christ already existed in the 1st century, it is no wonder the Apostle John opted to begin his Gospel with it, probably quoting the entire text. Consequently, he converted this particular Hymn to Christ’s lyrics into what would later become canonized Scripture. The anthem is composed for SSATB with solo SSA trio, and Solo Soprano and Solo Baritone lines, accompanied by Flute and B♠Clarinet. The key signature of the anthem is B♠Major. However, a lot of time is spent weaving and bobbing around the Dominant chord, (F Major). The Flute and Clarinet introduction play seven different motifs, interweaving with counterpoint, musically connoting the dual natures of Christ--fully God, and fully man. An SSA trio opens the piece recounting the creation story. A bass solo shortly follows, introducing John the baptizer's story and purpose. Soon, the anthem breaks out into full SSATB illustrating Christ's life and purpose for our salvation. The final coda is the great Doxology, sung in 5 parts, accompanied by the Flute and Clarinet, and the entire congregation (or audience) is invited to sing along with the familiar tune.
$2.99
In The Beginning Was The Word
In The Beginning Was The Word
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Edigles Guedes
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In The Beginning Was The Word
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Edigles Guedes
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.1001136 Composed by Edigles Guedes. Christian,Contemporary,Spiritual. Score and parts. 8 pages. ...
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Instrumental Duet Instrumental Duet - Level 5 - SKU: A0.1001136 Composed by Edigles Guedes. Christian,Contemporary,Spiritual. Score and parts. 8 pages. Edigles Guedes #6073687. Published by Edigles Guedes (A0.1001136). It is a composition study. It is suitable for students of the advanced level of violin and viola. Work duration: 12:41 min. Inspired by the biblical verse: In the beginning was the Word, and the Word was with God, and the Word was God. (John 1: 1 - KJV)
$1.99
In The Beginning Was The Word
In The Beginning Was The Word
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Choral SATB
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INTERMEDIATE
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Lackey, Mark
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In The Beginning Was The Word
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Julian Date Music
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1025185 Composed by Lackey, Mark (1966- ). Christian,Contemporary,Sacred. Octavo. 29 pages. Julian Date Music #4...
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Choral Choir (SATB) - Level 3 - SKU: A0.1025185 Composed by Lackey, Mark (1966- ). Christian,Contemporary,Sacred. Octavo. 29 pages. Julian Date Music #4412721. Published by Julian Date Music (A0.1025185). An exciting choral re-imagining of the famous opening of the New Testament Gospel of John, Mark Lackey's In The Beginning Was The Word explores rhythmic choral speech, gorgeous diatonic clusters, and very lyrical, singable lines. Vocal ranges are conservative, remaining on the staff except for an occasional middle-C in the basses.
$2.99
IN THE BEGINNING WAS THE WORD - Bb Clarinet
IN THE BEGINNING WAS THE WORD - Bb Clarinet
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Clarinet
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EASY
#
Sacred music
#
Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
#
SheetMusicPlus
Clarinet Solo - Level 2 - SKU: A0.926670 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588449. Published by...
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Clarinet Solo - Level 2 - SKU: A0.926670 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588449. Published by M.A. Morizio (A0.926670). Bb Clarinet Part for - IN THE BEGINNING WAS THE WORD
$1.99
IN THE BEGINNING WAS THE WORD - Flute
IN THE BEGINNING WAS THE WORD - Flute
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Flute
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EASY
#
Sacred music
#
Michael A
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IN THE BEGINNING WAS THE WORD
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M.A. Morizio
#
SheetMusicPlus
Flute Solo - Level 2 - SKU: A0.926669 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588447. Published by M....
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Flute Solo - Level 2 - SKU: A0.926669 Composed by Michael A. Morizio. Christian,Sacred. Individual part. 2 pages. M.A. Morizio #3588447. Published by M.A. Morizio (A0.926669). Flute Part for - IN THE BEGINNING WAS THE WORD .
$1.99
In the beginning was the Word
In the beginning was the Word
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Choral SATB
#
INTERMEDIATE
#
John Kerr
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In the beginning was the Word
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John Kerr
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1224178 Composed by John Kerr. 21st Century,Advent,Christian,Christmas,Sacred. Octavo. 8 pages. John Kerr #82027...
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Choral Choir (SATB) - Level 3 - SKU: A0.1224178 Composed by John Kerr. 21st Century,Advent,Christian,Christmas,Sacred. Octavo. 8 pages. John Kerr #820276. Published by John Kerr (A0.1224178). An atmospheric choral setting of the opening to the Gospel according to St John, written for advent.
$1.99
JESUS NA BIGI MAN
JESUS NA BIGI MAN
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Piano, Vocal and Guitar
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INTERMEDIATE
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AYODAMOPE OLURANTI
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AYODAMOPE OLURANTI
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JESUS NA BIGI MAN
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sholexsticks
#
SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1412235 By AYODAMOPE OLURANTI. By AYODAMOPE OLURANTI. Arranged by AYODAMOPE OLURANTI. Christian,Classical. ...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1412235 By AYODAMOPE OLURANTI. By AYODAMOPE OLURANTI. Arranged by AYODAMOPE OLURANTI. Christian,Classical. Score. 11 pages. Sholexsticks #994447. Published by sholexsticks (A0.1412235). In the beginning was the Word, and the Word was with God, and the Word was God.He was in the beginning with God.All things were made through Him, and without Him nothing was made...In Him was life, and the life was the light of men...And the light shines in the darkness, and the darkness did not comprehend it...And the Word became flesh and dwelt among us...Thanks to God Almighty for the gift of music...our vehicle for the propagation of the Word - Jesus Christ.In these perilous time when the Lordship of our Lord Jesus Christ and the existence of the Trinityare subjects of intense intellectual gymnastics among the heathen, we will proclaim:In the beginning, JESUS was the WORD with GOD and JESUS WAS GOD -Who no know am call am small boy,JESUS, NA BIGI MAN!Jesus na bigi man was composed in pigin language from Nigeria.
$7.00
In The Beginning (SSAATTBB)
In The Beginning (SSAATTBB)
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Choral SATB
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INTERMEDIATE/ADVANCED
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Dominic McGonigal
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In The Beginning
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C8 Music
#
SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.924084 Composed by Dominic McGonigal. Christmas,Contemporary,Sacred. Octavo. 9 pages. C8 Music #5990791. ...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.924084 Composed by Dominic McGonigal. Christmas,Contemporary,Sacred. Octavo. 9 pages. C8 Music #5990791. Published by C8 Music (A0.924084). In The Beginning was commissioned by Fever Pitch, keen to have new material to sing in their regular Christmas concerts. It was premiered at a major charity event at St Paul's Covent Garden in London and performed two weeks later at Southwark Cathedral. The words - In the beginning was the Word: the Word was with God and the Word was God - have rarely been set to music, but they are perfect for a Christmas programme or liturgical service. Big choral textures are created from small beginnings, with climactic chords on 'God'. The second half is a soprano solo singing a long, lyrical melody over rhythmic and chordal patterns in the choral parts. 3'30 www.dominicmcgonigal.com
$1.99
Gloria Patri (Glory Be to the Father - MEINEKE) - SSA A Cappella
Gloria Patri (Glory Be to the Father - MEINEKE) - SSA A Cappella
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Choral 3-part
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INTERMEDIATE
#
Sacred music
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Christoph Meineke, MEINEKE, an
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Fritz Stanley
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see 247)
#
Gloria Patri
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MicStanley
#
SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.748494 Composed by Christoph Meineke, MEINEKE, and Traditional Words. Arranged by Fritz Stanley. A Cappella,Chris...
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Choral Choir (SSA) - Level 3 - SKU: A0.748494 Composed by Christoph Meineke, MEINEKE, and Traditional Words. Arranged by Fritz Stanley. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 7 pages. MicStanley #3916787. Published by MicStanley (A0.748494). Gloria Patri (Glory Be to the Father) is composed by Christoph Meineke in MEINEKE tune. Arranged by Fritz Stanley for three-part chorus of female voices (SSA) in a cappella. This Gloria Patri text is usually known as the Lesser Doxology (what is known as the Greater Doxology begins Gloria in excelsis Deo; see 247). It is a liturgical text common to most Christian traditions and is often appended to the singing of Old Testament psalms or New Testament canticles. The traditional version of this text is found here, while a more modern translation occurs at 636. The initial part of the Gloria Patri may be traced back to the Trinitarian baptismal formula recordedin Matthew 28: 19; it was probably used by early Christians as an acclamation. The second part, which begins as it was in the beginning, was added in the fourth century as a response to the Arian heresy. Thus the text reflects the orthodox insistence on the consubstantiality of the Son with the Father and the eternal unity and equality of the three persons in the Trinity. Liturgical Use: Traditionally used at the end of Old Testament psalms and New Testament canticles and at the conclusion of certain prayers or creedal statements; a general doxology.
$2.00
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
The Beatitudes, 24 Sacred Songs Celebrating The Beatitudes Through Music and Narration
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Choral SATB
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INTERMEDIATE/ADVANCED
#
the end of the Sermon a recipi
#
Kevin G
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The Beatitudes, 24 Sacred Song
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Kevin G. Pace
#
SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1076393 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Praise & Worship,Sacred,Spiritual. Octavo. 194 pages. Kevin G. Pace #680550. Published by Kevin G. Pace (A0.1076393). Have you ever wondered how to have a really happy life? In Matthew 5-7 in The New Testament and in 3 Nephi 12-14 in The Book of Mormon, Another Testament of Jesus Christ, our Savior teaches us the way to contentment and happy living through The Beatitudes. These gems of Christian living were taught by Jesus as the initial part of the most well-known of his teachings called The Sermon on the Mount. The word “beatitude†comes from the Latin “beatitudo†meaning “blessedness.†Each of the eight beatitudes in this book consists of two phrases: the condition and the result. Together, these illustrate a set of ideals focusing on love and humility, echoing the highest of Jesus’ teachings on spirituality and compassion. Each also promises a future reward, and the themes appear to escalate from beginning to advancing levels of responsibility and spirituality as the Sermon progresses. By the end of the Sermon a recipient would have earned the reward to stand ceremonially in the presence of God, and to ultimately gain the greatest reward of living with Him in heaven. The purpose of this book is to praise our Lord through song and text, rejoicing in the gifts we receive from Him as we do as He suggests. Please enjoy this collection of original solos, SATB choral renditions, and a duet, along with a short text explaining each beatitude in the order our Savior spoke them so many years ago as part of the greatest sermon ever given, our Lord’s Sermon on the Mount! It was a joy to prepare them for you. Happy Living!
$10.95
Choral - "Sing to God All the Earth" SATB with Children's Melody Part
Choral - "Sing to God All the Earth" SATB with Children's Melody Part
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Choral SATB
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Sacred music
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Dan Cutchen
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Choral - "Sing to God All the
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.844331 Composed by Dan Cutchen. Sacred. Octavo. 15 pages. Dan Cutchen Music #3121707. Published by Dan Cutchen Music (A0.8...
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Choral Choir (SATB) - SKU: A0.844331 Composed by Dan Cutchen. Sacred. Octavo. 15 pages. Dan Cutchen Music #3121707. Published by Dan Cutchen Music (A0.844331). A bold choral work with a bold message of hope and praise for what Christ has accomplished for us by his death and resurrection!(For Mp3 Accompaniment TRACK: Copy and paste the following into the search bar:Choral - Sing to God All the Earth Accompaniment Track)It's only $1.99!SATB Choral with piano accompaniment.Based on John 1:1-3In the beginning there was the Word. The Word was with God, and the Word was God. He was with God in the beginning. All things were made by him, and nothing was made without him.andRomans 8:1There is therefore now no condemnation for those who are in Christ Jesus.--------------------------------------------------------------------------------------------------------The presence of children in a choir presentation can be quite charming and encouraging for the congregation. These kind of experiences for children can prepare them for a love of choral and exposure to singing with the big choir. Plus, as Psalm 8:2 informs us, children can have a ministry that silences the negative influence of the enemy and bring strength and encouragement to all who hear them sing praise!The children's part in this piece of music is a simple counter melody, no parts. You do not need an established children's choir, only a few good singers will do nicely.
$1.99
Latvian National Anthem for Symphony Orchestra
Latvian National Anthem for Symphony Orchestra
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Orchestra
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INTERMEDIATE
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Patriotic
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Keith Terrett
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Keith Terrett
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Latvian National Anthem for Sy
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Keith Terrett
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,T...
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Full Orchestra - Level 3 - SKU: A0.1317749 By Keith Terrett. By KÄrlis Baumanis. Arranged by Keith Terrett. 20th Century,Patriotic,Praise & Worship,Traditional. 26 pages. Keith Terrett #906430. Published by Keith Terrett (A0.1317749). He national anthem of Latvia arranged for SymphonyOrchestra.The music and lyrics were written in 1873 by KÄrlis Baumanis, a teacher, who was part of the Young Latvian nationalist movement. It has been speculated that Baumanis may have borrowed part of the lyrics from a popular song which was sung to tune of God Save the Queen, modified them and set them to music of his own. Baumanis's lyrics were different from the modern ones: he used the term Baltics synonymously and interchangeably with Latvia and Latvians, so Latvia was actually mentioned only at the beginning of the first verse. Later the term Latvia was removed and replaced with Baltics to avoid a ban on the song. This has led to the misapprehension that the term Latvia was not part of the song until 1920, when it was chosen as national anthem and the word Baltics was replaced with Latvia.During the annexation of Latvia by the Soviet Union, the singing of Dievs, svÄ“tÄ« Latviju! was banned. The Soviet republic of Latvia had its own anthem. Dievs, svÄ“tÄ« Latviju! was restored as the state anthem of Latvia on 15 February 1990, a very short period before Latvian independence was restored.The anthem's tune was modernized with a new F major version that is used since 2014, formerly a G major version was used on LTV's sign-on and sign-offs daily from 2011 up to 2013.For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores:http://www.scoreexchange.com/profiles/keith_terrethttp://www.sheetmusicplus.com/search?Ntt=keith+terrettNeed an anthem fast? They are ALL in my store!All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.comIf you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.Love anthems, join me on twitter, sound cloud and facebook for updates.
$39.99
In the beginning was the Word
In the beginning was the Word
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Choral SATB
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Contemporary
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Gabriel Jackson
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In the beginning was the Word
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Oxford University Press Digital
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SheetMusicPlus
SATB chorus divisi and organ - Composed by Gabriel Jackson (1962-). New Horizons. Octavo. 27 pages. Oxford University Press Digital #9780193701984. ...
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SATB chorus divisi and organ - Composed by Gabriel Jackson (1962-). New Horizons. Octavo. 27 pages. Oxford University Press Digital #9780193701984. Published by Oxford University Press Digital
$5.95
The Home Coming March (1908) - Concert Band Score and Parts PDF
The Home Coming March (1908) - Concert Band Score and Parts PDF
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Concert band
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INTERMEDIATE
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Contemporary
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E
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Brendan Elliget MAGA 537
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The Home Coming March
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BJE Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. ...
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Concert Band - Level 3 - SKU: A0.750785 Composed by E. T. Paull (1908). Arranged by Brendan Elliget MAGA 537. Contemporary. Score and parts. 115 pages. BJE Music #3567783. Published by BJE Music (A0.750785). The Home Coming March (1908) - Concert Band Score and Parts PDF Music by: ET Paull Of course, eventually, all the soldiers and sailors had to eventually come home from all the battles and Paull had that eventuality well covered also. The artwork on the front cover (of unknown origin) is one that is full of imagery that covers all aspects of the services, Army and Navy and is full of patriotic and familial ideals. The border lists all of the US States and the corner pictures depict aspects of homecoming. The main image is a parade of victory. Let's let Paull explain it all to us as he did on the inside cover. Why This Piece Of Music Was Named The Home Coming March Explanatory When the author had about completed the music of the present march, it occurred to him that it might be well to have suggestions made from a number of people, recommending a good name for same, for after all there is considerable in a name. He, therefore, had a special advertisement placed in several of the leading music Journals throughout the country, offering a prize of $10.00 in gold to anyone suggesting a name that would be accepted. Over three thousand names were sent in from all parts of the country, even from far away New Zealand and Australia, in which countries the author's marches are universal favorites. Included in the letters received was one from Mr. W. C. Bates, Secretary of the Sheffield Advertising Agency of New York and Chicago, in which he suggested the name The Home Coming March. After due consideration, this name was accepted, and the prize was awarded and paid to Mr. Bates, who stated that he was prompted to recommend this name on account of having been present during the impressive celebration of Old Home Week in Boston, Mass., last year. Probably no one idea is so universally dominant in the mind of the Human Race as that of home, or matters pertaining to home. The author believes that the name selected is one that will appeal to everyone; as the many pleasant associations with the words Home Coming are almost without limit. The title page of this march is without any exception the handsomest seen on a piece of music. The main body of the title pace represents a street scene, with buildings decorated and shows a handsome royal Arch of Welcome in the foreground, gaily decorated with flags, emblems, and bunting. A band is shown passing under the arch, leading a procession of the Home Guard, and thousands of people waving handkerchiefs, banners, flags, etc. Four smaller scenes also appear on the page, one representing the Home Coming of the soldier from war; another scene shows the Home Coming of the sailor boys embarking from their battleships; another scene represents the Home Coming reunion of the family and loved ones; the fourth scene represents the Home Coming of the father from work, where a little tot has been watching and waiting, and runs to meet him. The whole design of the title page is then surrounded by a border of differently designed medallions, on which appears the names of all the States of the Union, making without a doubt, the most unique and attractive title page ever conceived for a piece of music. One thing Paull mastered early in his career was the art of overstatement! Musically, this march is beginning to show the repetitiveness of many of Paull's works, especially evident as time passed. Once Paull found the formula (a fabulous cover and a playable, rousing march) that sold music, he stuck with it and was quite successful as a result.This arrangement is for Full Concert Band with the original optional piano part ( Not on the score). There are parts for Trombones 1 and 2 in TC and BC as well as parts of Euphonium in TC and BC. The MP3 was recorded with NotePerformer 3.Grade = 3.5 Duration =.
$30.00
THE ICON OF THE INVISIBLE GOD (SATB) – Colossians 1:15-20
THE ICON OF THE INVISIBLE GOD (SATB) â Colossians 1:15-20
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Choral SATB
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INTERMEDIATE
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Sacred music
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Michael A
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THE ICON OF THE INVISIBLE GOD
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M.A. Morizio
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M...
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Choral Choir (SATB) - Level 3 - SKU: A0.926661 Composed by Michael A. Morizio. Christian,Sacred. Octavo. 15 pages. M.A. Morizio #3588399. Published by M.A. Morizio (A0.926661). In the first chapter of Paul’s letter to the Colossians, we discover the next known Hymn to Christ right after his introductory passages, beginning at the 15th verse. Paul opens this letter with a blessing, then immediately flows to one of the 1st century hymns, which I have called, The Icon of the Invisible God. The lyrics of this hymn are declarative, bold and illuminating as to whom the Christ figure is-the icon, the very image of the invisible God, the firstborn of all creation. The text makes it abundantly clear that Jesus is the authority; that He was there before all things, that He created all things, and that through Him all things hold together. This anthem is composed for SATB choir with Pipe Organ accompaniment. The meter is set to 6/8 time, with a rhythm tempo of Totally Alive; which is one actual definition of the word Holy. The anthem starts at a good clip (♪=100). The key is G Major, with an incidental and occasional flatted 5th (Dâ™) as a surprise-landing befitting to the text presented, as if to say, This is so amazing, how can it be? The flatted 5th gives the piece it's own identity and causes the listener to stand up and take notice whenever it occurs. When the hymn's lyrics glide into the all-important resolution, having made peace through the blood of the cross, the song retards and lands on a surprising musical cadence, the sixth chord (E Major). In this piece, the pipe organ is boldly featured as it supports and under girds the musical line, occasionally trumpeting its own victorious motifs and adding some contrapuntal elements, such as this duplet motif, in the pedal line. The final lyrics about Christ having reconciled everything to Himself, whether things on the earth or in the heavens, finish the piece with a great, ‘High-Church’ choral ending.
$1.99
America (My Country ‘Tis of Thee)
America (My Country âTis of Thee)
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Guitar notes and tablatures
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EASY
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Rock
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The Candlelight Guitarist
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Bradley Powell
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America
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Geofonica Artistworks
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SheetMusicPlus
Guitar,Voice - Level 2 - SKU: A0.1042566 By The Candlelight Guitarist. By Words by Samuel Francis Smith, Music: traditional. Arranged by Bradley Powell....
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Guitar,Voice - Level 2 - SKU: A0.1042566 By The Candlelight Guitarist. By Words by Samuel Francis Smith, Music: traditional. Arranged by Bradley Powell. Patriotic,Sacred,Traditional. Guitar Tab with Voice. 2 pages. Geofonica Artistworks #647335. Published by Geofonica Artistworks (A0.1042566). Beloved American patriotic hymn arranged for Guitar solo, in both standard notation an TAB (instrumental finger-style, also suitable for accompanying singers, with lyrics included), arranged by Bradley Powell, who has recorded many albums as The Candlelight Guitarist. Level: beginning to Intermediate classical guitar, written in standard notation. (NOTE: This same arrangement in standard notation only, without TAB, is also available.) Arrangement features a short serene introduction, which serves as a transition motif within arrangement. Harmony is a subtle blend of traditional, folk-jazz and classical. Suitable for patriotic occasions, memorials, celebrations and religious services. ABOUT: Bradley Powell (aka The Candlelight Guitarist) began guitar at age ten, inspired by The Beatles. At 15, he became a protégé of jazz guitarist Joe Pass, and later studied classical guitar under Vincent Macaluso and at California State University, Northridge under Ronald Purcell, with a master class under Andrés Segovia. Brad was featured performing Gerald Wilson's Sonata for Guitar and Orchestra at the Hollywood Bowl, with the composer conducting. Brad was mentored in composition by David Rose (composer for Little House on the Prairie). Brad has composed music for TV, including Hill Street Blues and The 'A' Team, working with Mike Post. Brad has ten albums as The Candlelight Guitarist. Brad is also the classical guitarist for Disney's Princess Breakfast Adventuire at Disneyland's Grand Californian Resort. When not making music, Brad is often out hiking with his dogs.COMMENTS FROM ESTABLISHED REVIEWERS...Dr. Beth - Amazon.com #1 Hall of Fame reviewerBrad has a knack for putting together gentle, soothing guitar medleys which provide the perfect background or relaxation soundtrack.Bill Binkelman - Music Reviewer for Zone Music Reporter and New Age RetailerThe Candlelight Guitarist is your tour guide to a land of easy-going, warm, and inviting instrumentals.Rebecca of Amazon - Amazon.com HALL OF FAME TOP 500 REVIEWERBradley Powell's flawless playing allows you to completely relax into sleep or relax into an evening of candlelight and romance. I've fallen into a peaceful sleep while listening to this music and have also spent relaxing afternoons reading while The Candlelight Guitarist wove an intricate tapestry of sounds to nurture my heart. ... Bradley Powell's music is infused with natural ambience. As rich sounds renew your spirit, you can relax into a deep sigh of the heart. His style is artistic, heart healing and filled with romantic and cultural influences.Vicki Blizzard (Editor, PaperWorks and Crazy for Cross-Stitch! magazines) in CREATIVITY e-Letter: Music to filter into my dreams. My new favorite to listen to is classical guitar music by Bradley Powell.Jana L. Perskie Ceruleana (New York, NY USA) ~ Amazon.com TOP 50 Reviewer.The talented and creative Bradley Powell is the Candlelight Guitarist. His music is original and some of the most soul soothing I have ever heard.Bob McKillop, founder and publisher, MaineFolkMusic.comBrad Powell is a talented and highly trained California guitarist and composer who calls himself The Candlelight Guitarist, and for good reason. His music is perfect for situations in which candlelight figures prominently. Quiet meditation, romance, intellectual stimulation – the soft, pure tones of his Spanish and classic instrumental style open up your heart and render it more receptive to the spiritual messages that these pursuits engender.Grady Harp - HALL OF FAME TOP 100 REVIEWERmusic to soothe and calm and enrich the psyche. Would that there were more Brad Powells out there to help us all through these times. The world would be a saner place!
$2.99
Monody
Monody
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Concert band
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INTERMEDIATE/ADVANCED
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Christian F
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Stephen Cai
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Monody
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Stephen Cai
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Vid...
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Concert Band - Level 4 - SKU: A0.1285185 Composed by Christian F. J. Buettner, John Tuananh Dang, and Rajan S. Arranged by Stephen Cai. 21st Century,Video Game. Score and Parts. 66 pages. Stephen Cai #876297. Published by Stephen Cai (A0.1285185). Monody - TheFatRat (Christian F. J. Buettner) arr. Stephen Cai for Concert BandProgram Notes:MUSIC As a sequel to Pigstep by Lena Raine and Exodus by Ernest Gold, I have decided to take on the challenge of arranging the ever-famous glitch hop song, Monody by Christian Buettner (known more prominently by his online alias, TheFatRat).Similarly to Pigstep, my first arrangement, I ran into the challenge of instrumentation, as Monody’s original soundtrack almost entirely consisted of electronic instruments. However, I used the same technique I did with Pigstep to overcome this problem: assign basslines to low brass, treble melodies to mid-range instruments, and high parts to upper woodwinds. Unlike Pigstep, Monody pushed me to be more creative with the percussion section, as I had to puzzle out recreating all of the numerous sound effects throughout the piece with traditional percussion instruments. I even decided to notate a conch shell line for the war horn present at the beginning and the coda! At the end, however, it all came together nicely, and I came to realize that both this song and the process of arranging it represent a journey, albeit in different contexts. The word “Monody†refers to, in a literal sense, a song sung to mourn one’s death, which accordingly fits with my view of the piece as a journey where the narrator loses their companion. Writing the introduction measures (M.22) carried me through the genuine feelings of embarking on a mythical undertaking as the original soundtrack intends to portray. The lively middle section (M.70) was enjoyable to write as well, because the music itself is upbeat and full of energy. Finally, arranging the solo section was probably my most memorable experience. The slow and subtly melancholic character of the melody (the oboe solo) very closely alludes to the narrator’s mourning, and the enchanting lyrics originally written for this section further confirms their loss:    I still hear you in the breeze,    See your shadows in the trees;    Holding on, memories never change. The chords and harmonies that the original soundtrack provided were relatively simple to transcribe, and I found joy complementing them with luscious percussion effects. This is my interpretation of Monody, and I believe that it would be best performed as a journey, one which we can relate to as it encompasses the theme of loss; a monody. ARTWORK I also took up the challenge of creating original cover artwork for Monody, and I have to say, my level of appreciation for artists of any kind has skyrocketed ever since that endeavor. It took nearly two months of watching YouTube tutorials, onerous idea crunching, and using my sister’s drawing tablet, but I had nevertheless completed it with advice from some of my more experience peers (including my sister). Formal Credits: Cai, Stephen and Rachel Cai. “Monody†Arrangement for Concert Band cover. 2023 Lastly, I want to say thanks to my friend Matteo Sohn for being such a huge musical inspiration, and thank you for acknowledging my arrangement!
$59.99
Choral - "Sing to God All the Earth" SATB
Choral - "Sing to God All the Earth" SATB
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Choral SATB
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Sacred music
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Dan Cutchen
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Choral - "Sing to God All the
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Dan Cutchen Music
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.844318 Composed by Dan Cutchen. Sacred. Octavo. 14 pages. Dan Cutchen Music #3054005. Published by Dan Cutchen Music (A0.8...
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Choral Choir (SATB) - SKU: A0.844318 Composed by Dan Cutchen. Sacred. Octavo. 14 pages. Dan Cutchen Music #3054005. Published by Dan Cutchen Music (A0.844318). A bold choral work with a bold message of hope and praise for what Christ has accomplished for us by his death and resurrection!(For Mp3 Accompaniment TRACK: Copy and paste the following into the search bar:Choral - Sing to God All the Earth Accompaniment Track)It's only $1.99!SATB Choral with piano accompaniment.Based on John 1:1-3In the beginning there was the Word. The Word was with God, and the Word was God. He was with God in the beginning. All things were made by him, and nothing was made without him.andRomans 8:1There is therefore now no condemnation for those who are in Christ Jesus.
$1.99
Word became Flesh
Word became Flesh
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Piano, Vocal and Guitar
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EASY
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Thea Wray
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Althea Wray
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Word became Flesh
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Water II Wine Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1091708 By Thea Wray. By Althea Wray. Arranged by Althea Wray. Contemporary,Multicultural,Praise & Worship,...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1091708 By Thea Wray. By Althea Wray. Arranged by Althea Wray. Contemporary,Multicultural,Praise & Worship,Spiritual,World. Score. 2 pages. Water II Wine Publishing #695863. Published by Water II Wine Publishing (A0.1091708). A call to Worship He who was in the beginning ….and became flesh...
$3.00
Son to Mother
Son to Mother
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Choral SATB
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Henrik Dahlgren
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Son to Mother
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag ...
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SATB chorus divisi - SKU: BJ.1370 Composed by Henrik Dahlgren. Secular. Octavo. 12 pages. Bo Ejeby Forlag - Digital #1370. Published by Bo Ejeby Forlag - Digital (BJ.1370). 8.27 x 11.7 inches.In 2017, I was commissioned by the male voice choir Svanholm Singers to write a work for inclusion in a concert marking 70 years since the proclamation of the Universal Declaration of Human Rights. Choosing a text was difficult. I came across upon a poem by Maya Angelou, but it struck me as being too powerful and emotional for the music I was writing to carry it; everything I composed sounded banal next to Angelou's words. I soon realized that I could use silence to enhance the text, rather than heaping layers and layers of music upon it. Silence is both terrifying and serious - in a sense, it is the only adequate counterpoint to the poetry. So, I decided to build the piece on silence. Though the beginning of the piece is the opposite of silence - a scream of desperation -, I followed that outburst by cutting the poem's stanzas into single words, repeated in a different order each time, almost in the manner of a mantra. Finally, they end up in the right order and suddenly the words take on their rightful meaning. I hope, in this way, the music is equally powerful as the words. Son to Mother has been well-received and has gone on to become one of the most widely performed pieces I have written. It has been performed at various festivals and in various countries, including Taiwan, France and China - where it only just made it past the government censors. - Henrik DahlgrenThis version is an adaptation for mixed choir of the original male choir version. Henrik Dahlgren is a Swedish composer, born 1991. He has been studying at the Academy Of Music in Malmo with Prof. Rolf Martinsson and the Royal College Of Music in London with Dr. Haris Kittos. Henrik started his musical career as a drummer and has ever since worked in a very wide range of different genres and styles, both as a performer and as a composer.
$5.40
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In The Beginning Was The Word
